Michael Wm. Kaluta’s MicroVisions

Okay, who called Michael Kaluta and told him I have a thing for cranes? It’s true. I love cranes and herons, and pictures of cranes and herons. And I love the ballet of necks and beaks in this drawing.

Michael, a huge thanks to you, good sir! Like the rest, it’ll be a heartbreak to send it away.

Facelifts: Virga

Jamie Stafford-Hill, design
Stephan Martiniere, art

It’s always fun to re-consider designs when books move from hardcover to trade paperback. Even just a few years can make you want to update a bit.

I started playing around with the color translucent panels and then, as always, meetings took over my days. Once the mechanical was labeled “Late!” I threw it off to designer Jamie Stafford-hill and said, “Kinda like this only, you know, good.” And, as always he delivered.

Cities in the Air is an omnibus of the first two novels in Karl Schroeder’s Virga series. Pirate Sun being the third volume. Two more (for now?) to come. I look forward to seeing the whole set in my favorite format.

Scott Altmann’s MicroVisions

Scott Altmann manages to be both pretty and its opposite, in his MicroVisions. I keep trying to look away,...and then I get sucked in for a closer look.

All the MicroVisions paintings will be in display at the Society of Illustrators throughout May. We'll have details on the auction in about two weeks. Anyone is welcome to buy them all for me.

Remembering John Schoenherr, by Gregory Manchess

What could you say to a man about his painting? What could you say that would impress him and yet let him know that his work has informed your own struggle to learn throughout your life?

John Schoenherr’s work has been a part of my life since I was a kid, looking at an Analog cover in my favorite drug store. I was drawn in by the mysterious shapely woman in a tree, accompanied by her gigantic otter. From across the store one could tell that they were friends. This is when I began to realize that painting could not only be fun, it could touch an emotional chord.

From an early age I could tell that John’s work had a certain kind of stiffness in its application compared to other great painters whose brushwork was supple and relaxed. John’s had a rigid quality to it that couldn’t be avoided, yet it’s graphic composition was unrelenting. He captured light in a graceful manner, pulling your eye to just the most important elements and finished it all like the power of a museum piece.

In all of my art school years, I knew a painter when I saw one. I was never tempted to exclude a commercial artist’s gems from a life dedicated to the almighty gallery world. John’s work showed me that painting transcends application when it truly touches the spirit, whether it was a subtle portrait of a renaissance woman, an experiment in abstract color, or a humungous sandworm cresting a dune.

The fact is, you can’t really say much to a painter like this that wouldn’t make you sound like a simpleton, or the uber fanboy. I never got to meet John Schoenherr. He passed away April 8th having expressed what I believe he must’ve surely loved to paint right up until his last day.

And every artist after him that I have ever enjoyed or has shown me how powerful painted images can be, I will thank them, profusely, like I wish I could’ve mustered the will to do with John.

Thank you, John, for leaving so much work I will never tire of.

— Gregory Manchess

Tim O’Brien’s MicroVisions

Tim O’Brien manages to be cute and analytical, with a dash of steampunk, and a generous helping of surrealism in his MicroVision. Bravo! Yet another one, that I cannot wait to see in person.

Sam Weber’s Ender’s Game ebook cover

I am very excited to release Sam Weber’s ebook cover for Ender’s Game. This was a blast to work on.

For the whole skinny on the how the cover came about, Sam’s thoughts, and a some process pictures, check out the Tor.com article.

Scott Bakal’s MicroVisions

Scott Bakal’s “Rebellion” in the Galactic War for Rainbow Juice.

About a year ago Scott started a super-cute series of drawings about aliens landing in central park and scoping out NY. I fell in love with the guys and have been asking him, “What’s their story!?” ever since.

Scott is also the chairman of the Society of Illustrators student scholarship exhibit — he knows first hand how much the work of all the MicroVision artists is appreciated by the students. The Scholarship program is a huge job so extra thanks goes to Scott for taking the time to participate.

Jon Foster’s MicroVisions

...and the cow jumped over the moon-girl.

Mr. Jon Foster, always an Art Department favorite.

This MicroVisions is becoming insanely good. I have to thank all the artists, again, for being part of it
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*wondering what the inbox fairy will bring me next*

Charles Vess’ Instructions by Neil Gaiman

This is just lovely. Neil Gaiman reading Instructions while showing Charles Vess’ drawings from pencil to paint.



And...Charles was kind enough to give me a signed and drawn in edition of his artbook Drawing Down the Moon to give away on Tor.com. Details soon!

Mélanie Delon and A Crown of Swords

Alas, our latest Wheel of Time ebook cover reveal! A Crown of Swords

This one by Mélanie Delon. (She of the Spectrum 16 cover.) If you head over to Tor.com, you can get the inside scoop on how we got here, including a nifty progression through various stages of the painting.

Mélanie Delon’s work is exemplified by utilizing detail and soft focus, creating images that blur the edges between realism and fantasy. It was a great match for a moment of surrender and rebirth, a moment when Nynaeve must disengage from her usual character traits and, if just for second, open herself up.

Omar Rayyan’s MicroVisions

Say hello to Omar Rayyan’s MicroVision, “Hopalong Galahad.”

Omar‘s work has a lightness and humor that makes it impossible not to smile when you see it. It’s easy to see how charming and witty it is — and it's easy to forget all the backbreaking hard work that goes into honing that kind of grace in paint. Just the way it should be.

Allen Williams’ MicroVisions

Allen Williams just emailed me his contribution for the MicroVisions auction. And now I am getting very excited about this mini-exhibit.

Allen created the painting voted “Most Likely to be Stolen by Irene” at the first Illustration Master Class. I love his ability to know just when to push and pull edges — creating images that are both detailed and highly ethereal. He’s one of those painters that I wish I could step into their eyes and see the world as they see it.

Allen has been writing (damn, overachiever ;-) and illustrating a series of kids book for Little Brown, due out next fall. I’ve seen bits of pieces of the drawings and they look amazing. His blog, I just Draw, shows a few sneak-peaks.

Aang today, Aang salad tomorrow.

Bill Carman’s MicroVisions

Bill Carman gets the gold star for being the first artists done with their MicroVision. Hurray. And he has set the bar high.

Thank you, Bill!

I love that his paintings suggest some kind of strange narrative but are never spelled out. Instead, the we are left playfully wondering, what on earth is going on there.

I haven’t sen the original yet but he’s tells me it is painted on copper — I can’t wait to get a hold of it, if only for a short while.

This painting, and a dozen others, will be up for auction in early May. More about this year’s MicroVisions auction here.

RELATED:
Interview with Bill Carman here.

Charles Addams exhibit

Anyone in the area should check out “Charles Addams’ New York” at the Museum of the City of New York, through June 6th.

The exhibit includes over 60 drawings — beautifully refined watercolors and loose preliminary sketches (which sometimes showed alternate versions of the joke.) In the center of the gallery is a recreation of Addams’ studio and an interior room dedicated to the Addams’ Family cartoons. Seriously, you can’t pass by more than three feet of exhibit space without cracking a smile.

Ringling College visit

If you are keeping half an eye on up-and-coming illustrators, it would be impossible not to notice the rise of Ringling College of Art and Design these past few years. I’ve run into great student portfolios from Ringling students at Comic Con, the Society of Illustrators student exhibit, CA workshops...all over the place. So when George Pratt asked if I would come down and give a talk, I jumped at the chance to see what they were feeding these kids to make them so promising. Their secret, as it turns out, is a steady diet of drawing and painting, and good strong fundamentals.

On the first day of our visit, Greg Manchess and I looked at 600 works, from sophomore to senior levels, and curated a “Best of Ringling” exhibit of just 70 pieces. It was as inspiring as it was exhausting. As it got down to deciding class medals, we often had three or four paintings of equal merit — the decisions were heartbreaking.

One the second day, I gave a lecture about working with art directors, marketing, etc. -- my usual dog-and-pony show. Greg followed with a slide show and painting demo. While Greg was painting, I was looking at portfolios from some of the students.

All the students seemed engaged and excited to be soaking in what they could. I was glad to see the breadth of styles -- clearly they are encouraged to experiment and find their own voices. And I particularly enjoyed seeing such solid work from 2nd and 3rd year students; it’s exciting to imagine where they might be with another year or two of school behind them.

A big thanks to the Ringling faculty for having us down and being such great hosts. And a thank you to the students for a chance to look at so much good work.


GREG MANCHESS to Ringling:

“I couldn’t believe that after my afternoon lecture and demo, so many students were still watching me go. You guys are showing the signs of ambition and drive that are so very necessary to survive this business. Thanks for sticking it out. I had meant to trim about an
hour or so from that painting, but everyone had such specific questions, I couldn’t resist answering!

I was also very happy to see the level of skill that everyone displayed with their pieces for the judging. Remarkable. You made it a painful joy to select favorites. As I mentioned on Friday, if you didn't make it in, don't let it slow you down. And for those that did make it in, carry on.

Thanks for your interest in my work! When I looked into the lecture hall, I saw myself as a student, looking for the same answers as you are today. I have many now, and you will, too.”

WORK SHOWN:
Venessa Del Rey, Eli Minaya, Keyla Valerio
Haylee Herrick, Lamar Mathurin

Eli Minaya has a great series of photos of Greg’s demo on his blog.

More photos from the visit here.

Metatropolis

Just showing off our latest from Peter Lutjen.

Jeffrey Jones documentary

Better Things: The Life and Choices of Jeffrey Jones

Maria Cabardo, of DC Comics, has been putting together a documentary of the amazing Jeffery Jones. (Like, really amazing — If you need one reason to be on Facebook, it’s to see Jones’ gallery.) Here’s a quick glimpse at the work in progress — an interview with the also amazing Michael Kaluta. I know the film crew has been traveling around and interviewing as many artists as they can. I’m very much looking forward to watching this develop.

Christoph Niemann’s I Lego NY

Everyone has seen Christoph Niemann’s brillant Lego NY!? Amazing. I can look at it 1,000 times.

And now, it’s expanded into a book! So excited.

Thomas Fuchs hearts Star Wars (and many other things.)

It’s not common for an artist to have multiple styles that are truly unique from each other and all equally accomplished...And yet, Thomas Fuchs.

As well as having a more painterly style, he has a great facility with logos and icons which he’s clearly had fun with on his Heart a Day blog — never saccharin, always beautifully drawn. And all this week: Star Wars! Go check it out, and stop by all week to see what he comes up with next.

If your geek-crush isn’t of the Star Wars persuasion, he’s got plenty genre-love throughout the site